The Erfurtensis , now lat. 2°.252 in the Staatsbibliothek Preuβischer Kulturbesitz at Berlin , was assembled by Wibald of Corvey in the mid twelfth century, and is the most comprehensive medieval manuscript of Cicero, containing nearly half of what was eventually to survive. The manuscript as it exists today has lost one or more folios at several different points, but in some of these places readings were recorded by sixteenth and seventeenth-century scholars before the mutilations occurred. There is, however, only (...) one lacuna where early collations survive and where, also, E is a manuscript of primary importance for the reconstruction of the text. The omission in question, caused by the removal of folios at some unknown date between the beginning of the seventeenth century and the early nineteenth century, comprises the end of pro Caecina and virtually all pro Sulla . No readings are known to have been taken from the end of pro Caecina, but from the bulk of pro Sulla, before the manuscript as we have it resumes, a sizeable number of readings has fortunately been preserved. The tradition of pro Sulla takes the form of two branches, one consisting of Munich, Bayer. Staatsbibliothek, Clm 18787, olim Tegernseensis, and all the deteriores , the other consisting of just two manuscripts, E and its twin, Vatican, Pal. lat. 1525 . V comes to a halt at §43; the early collations of E are therefore of the highest importance for pro Sulla until §81, especially from §43 onwards where they comprise our only record for one of the tradition's two branches. (shrink)

At Aen. 6.562–627 the Sibyl gives Aeneas a description of the criminals in Tartarus and the punishments to which they are condemned. The criminals are presented to us in several groups. The first consists of mythical figures, the Titans , the sons of Aloeus , Salmoneus , Tityos and Ixion and Pirithous . Next Virgil turns away from mythical figures to particular categories of criminal. He mentions those who hated their brothers, who assaulted a parent, who cheated a cliens, who (...) gloated over wealth they had acquired without setting aside a part for their family, who were put to death for adultery, and those who, breaking their masters' trust, made war on their country . The reference to the contemporary scene is unmistakable. The mention of a cliens indicates that we have moved from Greece to Rome. Moreover, ‘quique ob adulterium caesi’ brings to mind Augustus' concern over moral standards, the subject of legislation in 28 B.c., 18 B.c. and A.d. 9; the lex Iulia de adulteriis coercendis gave to fathers of adulteresses the right to put to death both guilty parties. Thirdly, ‘arma...impia’ is an obvious reference to civil war , which as Servius argues is more narrowly defined by ‘nee veriti dominorum fallere dextras’ so as to exclude Caesar and Octavian: undoubtedly the allusion is to the war against Sextus Pompeius, which Augustan propaganda chose to represent as a war against runaway slaves. Virgil continues by sketching the penalties paid in Tartarus by such men . While doing so, however, he retreats once again into the realm of mythology: the punishments he describes are those more normally associated with Sisyphus and Ixion . This reversion is completed at 617–20 where, confusingly, Virgil denies that he has been alluding to events of contemporary significance by naming two mythical personages, Theseus and Phlegyas . Virgil therefore implies, but then denies, contemporary relevance. It is this kind of protean elusiveness which makes the contemporary allusions in Virgil so difficult to pin down. (shrink)